To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
网名:逆风飞扬
评论:新书新故事
网名:寒风吹过
评论:李天命舒服了
网名:寂静花开
评论:林霄已经解决了这亿林地产的内忧外患
网名:温暖的怀抱
评论:难不成咱们要没头没脑的继续走下去吗
网名:远方的歌
评论:就类似于凶兽
网名:心归何处
评论:在圣诞节那天
网名:漫天雪花
评论:是艾尔斯的捍卫者
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