To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
网名：笑忘书
评论：却被公认这一代天赋第一
网名：似水流年
评论：那也要等你父母回来
网名：宁静如水
评论：都还造成不了如此震撼
网名：听风吟
评论：她把给苏青昊的签名卡拿过来
网名：轻舞飞扬
评论：那个少年的身边
网名：流星雨下
评论：将海洋之心拿出来拍卖
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