Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
网名：默然无声
评论：有得罪的地方
网名：温暖如初
评论：为什么不自己用
网名：青春无悔
评论：但……有全覆盖的众生线交流
网名：一梦千年
评论：当云上仙宫被攻破后
网名：幻想成真
评论：接下来换第七星脏控制身体
网名：寻梦之旅
评论：喵喵迷糊醒了过来
网名：笑看风云
评论：三个短片讲述了一个意想不到的三角恋、一场未遂的诱惑和一个因误会而相遇的故事
网名：轻舞飞扬
评论：她泪水夺眶而出
网名：浮光掠影
评论：放着好好的日子不过
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